I spent a good portion of 2016 into early 2017 working on a documentary about the rise in global Christian persecution – culminating in a global conference this May in Washington, DC. What struck me the most from everyone who was interviewed who had experienced true persecution first-hand was the call to truly love and forgive even when most would be calling for hatred and retaliation. I’ve been deeply and permanently impacted by these stories. My eyes have been opened to things that are too easy to ignore in the U.S. Editing these stories has also renewed my passion for the power of story telling through video. Yes, there are some pieces that I will work on that have no big impact on anybody. They may sell a product or scratch an artistic itch (and that’s not such a bad thing), but working on projects with subject matter that I’m most passionate about is where I long to be.
You can view the full Persecution and the Gospel program here:
I’m logging nearly 4 hours of interviews and here is my workflow.
Once my interviews are synced and organized in the browser, I choose to string them out in a Project rather than logging in the browser. I like being able to zoom in and out more precisely and trim out the ‘fluff’ as I go. In this project I have a 2 camera multicam clip set up as well, but I do this even on single camera interviews.
I usually play the interview at double speed, slowing down for key portions. I really like the fast scrubbing in FCPX. I think it is the most clearly understandable of the other NLEs I’ve used (AVID, Premiere and FCP7), even when music is added to the mix. When I hit a key word or a laugh or something worth marking, I create a marker (m key) then hit m again and write a note of what they said. I go through the whole set of interviews then build a great timeline index for quickly searching words or phrases. The big standout bites, I’ll mark with an asterix * then easily filter the timeline index in the search field. The timeline index will scroll along as I’m playing back and also allows me to jump to the point I’ve marked by simply clicking on a marker in the index.
Once logging the A-Roll is complete, I duplicate the Project, rename it, and whittle away at the edit. Markers stick around on soundbites I use and I have my logging Project to refer to as my source. I know this is nothing ground-breaking. It’s probably what a lot of people do, but it is very effective for me in crafting the A-Roll of unscripted projects. It is perfect when working with a producer and we’re hunting for a particular quote or topic.
One other cool function of FCPX is its built-in integration with the OSX dictionary. Right-click on any word and you can check spelling, look up definitions and even check a thesaurus. P.S. – I do know how to spell ‘migraine’, I intentionally misspelled it for the screen grab.
I would love to see Apple add some more advanced features in the timeline index such as speech recognition and script import/syncing. It’s not a big stretch of the imagination to see it fitting very nicely in the current layout.
